32 Years Later: The Legacy of
Chinese Intercountry Adoption


by Isabella Kahn
Leanne Lieberhong (she/her)
Jinchang, Gansu, 1995
Ushika Kidd (she/her)
Wuhan, Hubei, 2003
Emily Angeline (she/her)
Nanning, Guangxi, 1996
C. Snare (he/him)
Wuhan, Hubei, 1999
Megan Klein (she/her)
Jiangxi, 2003
Leah Reso (she/her)
Duchang county, Jiangxi, 2000
Minla Stokes (she/her)
Jiangxi, 2003
Anya Zaretsky (she/her)
Xuan’en County, Hubei, 2001.
Sophie O’Beirne (she/her)
Jiangxi. 2003
Bridget Darling (they/she)
Hunan, 2002
Kai Stokes (he/him)
Shanghai, 2006
Rachel Shearer (she/her)
Ningdu, Jiangxi, 1999
Eryn Feng (they/them)
Fengcheng, Jiangxi, 2003
Margaret Myers-Aldous (she/her)
Wanzhou, Chongqing, 2003
Zhao Gu Gammage (she/her)
Wuwei, Gansu, 2003
Grace Blackmar (she/her)
Yangjiang, 2002
Eileen Myers-Aldous (she/her)
Hechuan district, Chongqing, 2007
Li-Anne Wright (she/her)
Hunan, 2000
Caroline Walkup (she/her)
 Changsha, Hunan, 2004
Grace Santoli (she/her)
Dongguan, Guangdong, 2004
Emilia Donovan (she/her)
Guangzhou, Guangdong, 2001.
Brenna Mathers (she/her)
Fengcheng, Jiangxi, 2002
Grace Santoli (she/her)
Dongguan, Guangdong, 2004
Olivia Worthington (she/her)
Anhui, 2000
Li-Anne Wright
Hunan, 2000
Elie Pearson (she/her)
Fengcheng, Jiangxi, 2004
Kiera McCabe (she/her)
Chongqing, 1997
Kim Liebler (she/her)
Wuhan, Hubei, 1996
Annie Morgan (she/her)
Guangdong, Guangzhou , 2005
Celeste Bloom (she/they)
Dongguan, Guangdong, 2002
Sarah Wolfe (she/her)
Guiping, Guangxi, 2005
May Braaten (she/her)
Zhouzhou, Hunan, 2002




About the Project

   
             32 Years Later: The Legacy of Chinese Intercountry Adoption is an ongoing series of portraits that focuses on themes of self-definition, growth, and resilience among Chinese transnational adoptees. Following the Chinese Government’s recent and sudden decision to end their foreign adoption policy, over 160,000 of us worldwide are now left to reflect on its three decades of history and nonexistent future. This conversation is extremely complex and important within contemporary dialogue, intersecting with issues of immigration, citizenship, and cultural representation. 32 Years Later recognizes the individuals impacted by the personal and political legacy of this history, analyzes how we as adoptees collectively fit under this shared identity, and celebrates the ways we have grown beyond it. For me, this represents one of the community’s many efforts to connect and heal as a diaspora of displaced peoples.


Isabella Kahn is a Chinese lens-based artist from New Jersey and is currently completing her Bachelors of Science in Photography at Drexel University. Her practice navigates tension between personal history and global memory as a transnational, transracial adoptee, highlighting themes of identity, displacement, and family.

Isabella has shown her work in several cities, including Philadelphia, New York, Boston, and London, and her work can be found in the International Center of Photography’s permanent collection. She has also co-curated photographic exhibitions at the Photography Gallery at the University of the Arts and the Copeland Gallery in South London.

Other work can be viewed here.